Welcome to Boston Jazz Scene

Welcome to the Boston Jazz Scene web site--the place to find out what happened, what is happening, and what is coming in jazz and other improvised music in Boston and surrounding communities. The most recent post is listed below this information. Words listed below the Topics heading to the right refer to information you can find here about jazz and other improvised music, the arts in general, food, and travel in and near Boston.

If you click on the Scheduled Jazz Highlights topic, you will see a selection of upcoming jazz gigs that we think are particularly noteworthy.

If you click on one of the History - Jazz Journal topics, you will see a selection of journal entries covering performances and relevant events that have taken place in Boston since the 1970s.

If you click on the History - Major Contributors topic, you will see a list of Bostonian musicians who have made significant contributions to the development and evolution of jazz in Boston and elsewhere.

If you click on the Images - Musicians topic, you will see a selection of photos of current and former Boston area jazz musicians and significant visiting jazz musicians. If photos of musicians are displayed on this page and you click on Older Posts at the bottom of this page, you will see earlier image pages eventually going back to page 1.

If you click on the Images - Venues topic, you will see a selection of photos of current and former Boston area jazz venue locations.

If you click on the History - Jazz Timeline topic, you will see a brief list of significant events in the development and evolution of jazz in Boston beginning with the first groundwork in colonial America.

If you click on the Essays on Music topic, you will see essays about the development of jazz and other music since the late nineteenth century and particularly the evolving context in which the music has been and continues to be created.

If you click on one of the Travel options, you will see a variety of information that may be of interest to people visiting Boston (or even some people who live here).

Wednesday, April 23, 2014

Upcoming performance highlights

Among the more attractive performances scheduled in the near future in the Boston area are the ones listed below.  With the exception of some gigs that feature Magazine Cover (MC) groups (which can range in quality from very good to terrible), the gigs listed below are ones that I wish I could attend.  And—if time and circumstances permit—I will be there.  

URLs for most venues are listed at the bottom of Boston Jazz Scene home page.  These listings contain the most accurate information we have.  However, details of scheduled events change often and without warning.  It is a good idea to check gig information at the venue web site or (even better) the band’s web site.
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4/23 – Ryan Kowal's Meeting of the Minds at 8 p.m. (PA) – The vibes player brings Charlie Kohlhase, Kit Demos, Ben Dicke, and Eric Hofbauer to make what should be exciting music at the Outpost...

4/23 – Broadnax-Kontrimas final (?) AJC gig at 7 p.m. (MP) – Paul Broadnax and Peter Kontrimas have been doing weekly gigs somewhere for twenty-two years.  It looks like their current home is shutting its doors, maybe forever.  You can say “thank you” and hear some great straight-ahead music from them along with scheduled guest drummer, Les Harris, Jr.  The second set features the superb music of Jerry Bergonzi and friends (who fortunately have a weekly Monday gig in Cambridge).  The sendoff occurs at the Acton Jazz Café…

4/24 – The Jeff Platz Sextet at 10 p.m. (PA) – Jeff Platz has a number of skills, but one of the most remarkable is his ability to whip together exceptional musicians from different musical planets and/or different geographies.  Both happen on this gig featuring the leader with Mat Maneri, Pandelis Karayorgis, Jim Hobbs, Jacob William, and Laurence Cook who no doubt will bring surprises to Lily Pad…

4/26 – The Jon Damian Quartet at 8 p.m. (MP) – It’s jazz all over the place, sort of like, “If you don’t like what’s happening, wait five minutes...”  But this stuff usually is superb no matter where it goes because it takes advantage of the musical resources of Jon Damian, Allan Chase, Bob Nieske, and Ralph Rosen.  It happens at the Outpost...

4/26 – The Aardvark Jazz Orchestra at 8 p.m. (MP) – This big band concert features recent works by music director Mark Harvey.  Among the subjects taken on by the ensemble are the victims and survivors of the Boston Marathon tragedy, the genius of Sun Ra, and more.  Scheduled to join Mark on the stage are Arni Cheatham, Peter Bloom, Phil Scarff, Chris Rakowski, Dan Zupan, K.C. Dunbar, Jeanne Snodgrass, Bob Pilkington, Jay Keyser, Jeff Marsanskis, Bill Lowe, Richard Nelson, John Funkhouser (bass), Harry Wellott, Jerry Edwards, and Grace Hughes.  It happens at Kresge Auditorium, MIT…

4/26 – The EulipiaJazz Launch Concert at 7 p.m. (PA) – EulipiaJazz is a new organization pursuing the creation of opportunities for local musicians and multidisciplinary artists to “perform and collaborate.”  This event, scheduled to be the first of a three-part series, presents Muse Stew (Scott Samenfeld, Karen Gruber, Susanna Fiore, Todd Brunel, and Jim Repa) and Kit Demos’ Flametet (with Charlie Kohlhase , Jeff Platz, Pandelis Karayorgis, Todd Brunel, and John McLellan).  The music happens at the Arlington Center for the Arts Theater, 41 Foster Street 
 
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Key codes: The abbreviation in parentheses following the name of the event or band/musician performing indicates roughly the type of music that you can expect if you go to the gig.
MC= Magazine Covers.  These musicians/bands are popular with jazz fans and therefore often find their photos on the covers of jazz magazines.  This type of band may or may not be any good qualitatively.  However, many fans like to know “what’s hot.”
MP=Mainstream/Post-Bop.  This is the music that most people think of today when they think of jazz.  It runs the gamut from Parkeresque bebop and Websterish ballads to the post-bop work of people such as Bergonzi and Lovano.
PA=Post-Ayler.  This is Anthony Braxton’s term for all the adventure that came out of Ayler, Ornette, Cecil and others (including Mr. Braxton, of course).  In some ways it is the most diverse jazz and jazz-rooted music being performed today, including everything from near zero dB whispers (e.g., undr, John Tilbury) to eardrum demolishing walls of sound (Keith Rowe, a ton of stuff from Japan) to performances built on combinations of composed and improvised material (Liberation Orchestra, Charlie Kohlhase’s ensembles) to completely improvised offerings (Peter Brötzmann, Laurence Cook).
S=Swing.  It don’t mean a thing…  Maybe “nothing” means “anything” if you are a fan of swing.  Sadly, fine swing music seems to be approaching extinction, at least in the Boston area clubs.  The reasons are obvious and elusive.  The great names of Swing (such as Lunceford and Barnet) have passed on and taken almost all of their band mates with them.  In addition, in spite of the fact that some of the finest music of the swing era was produced the by the combos of Goodman and Basie (among others), people continue to think of swing in terms of large (and therefore economically untenable) ensembles.  You can find it happening in some dance halls, but mostly at weddings and Bar Mitzvahs.  For years such names as Whitney, Winniker, and Hershman have held the fort in the Boston area.  But you’ve got to keep your eyes peeled. 
T=Two-beat/Trad.  Some of the finest contemporary two-beat jazz anywhere has been nurtured and grown in Eastern Massachusetts since the 1970s.  Everyone knows about the New Black Eagles, and a host of other musicians are held in equally high esteem around here.  Some of the better-known are Jimmy Mazzy, Stan McDonald, Jeff Hughes, and Guy Van Duser.  Unfortunately for city dwellers, two-beat jazz (and, to a lesser extent, the blues) has moved to the suburbs.  But the best of it is worth the drive.